Mar 23 - Jun 30 2019
The Sainsbury’s Centre for Visual Arts
University of East Anglia Norfolk Road
A major new photography exhibition explores the human body.
Featuring around 130 works from the 1930s to the contemporary, The Body Observed explores how Magnum photographers have turned their lens to the body, presenting works that examine a range of subjects from identity, intimacy, sexuality and ritual, to voyeurism and performance, among others.
The exhibition explores the photographic representation of the human body (specifically in relation to the documentary photograph), considering how photographic representation both mimics and corrupts the tropes of figurative representation defined through the history of art, developing its own language through the medium’s unique position between utilitarian function and artistic application. The camera has been used to examine, gaze upon, categorise, scrutinise, and objectify the body. This exhibition proposes to look at how Magnum photographers have turned their lens to the body, presenting works that explore issues such as gaze, identity, intimacy, sexuality, voyeurism and performance, and drawing into focus the societal and cultural structures that affect the representation of the human form.?
This group exhibition includes Eve Arnold’s portraits of Hollywood icon Joan Crawford and Philippe Halsman’s Dalí Atomicus, a work that was selected as one of the ‘100 Most Influential Images of All Time’ by TIME magazine in 2016. Other highlights are Alec Soth’s series Niagara, an exploration of love and passion in one of America’s best known honeymoon destinations, and Alessandra Sanguinetti’s The Adventures of Guille and Belinda, including Ophelias – inspired by the enigmatic beauty of John Everett Millais’ classic painting.
The show also features work by Olivia Arthur, Werner Bischof, Antoine d’Agata, Bieke Depoorter, Cristina García Rodero, Bruce Gilden, Susan Meiselas and Miguel Rio Branco.
Exhibition organised by the Sainsbury Centre and Magnum Photos. Supported by Simon Blakey.